theme

Frosted Glass.

A deep gradient behind blocks you can see through. The background is the design, and the blocks get out of its way.

Luna Reyes

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Blocks here are white at fourteen percent with a blur behind them, so whatever is on the page shows through them. On a flat colour that is a nice effect. On a gradient or a photograph it is the whole point: the block borrows the colour underneath it and changes as the page scrolls.

The preset ships with its own backdrop, a three stop gradient running from deep violet through purple to pink, and it is the one theme that ignores a custom two colour palette. Colour comes from the background here, so change the gradient or drop in an image and the blocks follow it.

Text is white, muted text is white held back, and the accent is a warm sand that stays readable on everything the gradient does. It suits a page built around one image: a cover, a poster, a portrait.

what it sets

Every value, out of the preset.

page
#2b1a55
block surface
rgba(255, 255, 255, 0.14)
text
#ffffff
accent
#ffd08a
hairline
rgba(255, 255, 255, 0.28)
corner
14px
block shadow
none
block border
none
alignment
centred
titles
as you write them
fonts that suit it
Manrope, Poppins, Inter
patterns that suit it
Mesh

questions

Straight answers.

Why do my own colours not change anything?
Frosted Glass takes its colour from the background rather than from the palette. Change the gradient or set an image and the blocks pick it up.
What background does it come with?
A three stop gradient from deep violet through purple to pink. It is the starting point, not a limit.
Which starter uses it?
Podcaster, paired with Manrope and its own purple gradient.

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